Free M. Ward demos over at Merge Records

The good folks over at Merge are offering free downloads of three demos from M. Ward's third album Transfiguration of Vincent, to celebrate the re-release of the album on 180 gram translucent sky-blue vinyl through Jealous Butcher Records.

Undertaker (demo) - M. Ward
[get the other two here; registration required]

M. Ward is also playing a few solo tour dates later this summer, in addition to the She & Him tour. And speaking of She & Him, if you're totally hanging out in your basement tonight to watch Pete Wentz on MTV, their video for "Why Do You Let Me Stay Here?" will premiere tonight at 8pm on FNMTV.

RELATED LISTENING: That M. Ward / Jim James / Conor Oberst show is still live, as is the M. Ward demo tape.

Got forty-fives to play at night :: M Ward / Jim James / Conor Oberst live in 2004

This earthy, warm, rich bootleg is from a shared evening of music that included sets from M. Ward, Jim James of My Morning Jacket, and Conor Oberst of Bright Eyes.

Billed as the "Monsters of Folk" tour, after individual sets it closes with a six-song jam session where they all play together and sometimes (like for the closing Dylan cover) take turns with the verses. The sound quality here is sparkling and pristine with some choice song selections in the mix. Any of their single sets would be a treat in its own right; together they blow my mind a little bit.

Notable track: that Willie Nelson cover! "Always on My Mind" is one of my favorite sad songs as is, but with Jim James taking the lead vocals it aches and ebbs in a new way. There are so many wonderfully melancholy songs in this bunch - in addition to the lonesome starter of "Fuel for Fire," the way M. Ward's voice cracks on Undertaker ("Ah, but if you're gonna leeeeeeaaaaave, you better call the undertaker, take me under undertaker, take me home") is practically the sound of a heart breaking.


MONSTERS OF FOLK TOUR:
M WARD, JIM JAMES, CONOR OBERST
Feb 20, 2004, Pantages Theatre in Minneapolis

M WARD
Fuel For Fire
Duet for Guitars #3
Let's Dance (Bowie cover)
Undertaker
Helicopter
O'Brien/O'Brien's Nocturne
Vincent O'Brien
Outta My Head

JIM JAMES
One In The Same
Like It Should (unreleased?)
I Can't Wait (unreleased?)
Where To Begin (from the Elizabethtown sdtrk)
How Could I Know (b-side from Off The Record)
The Bear
Bermuda Highway
Golden

CONOR OBERST
Train Under Water
Going for the Gold (from the Oh Holy Fools comp)
Soon You Will Be Leaving Your Man
A Celebration Upon Completion
We Are Nowhere And It's Now
Landlocked Blues (oh how I love this song)
Lua
Waste of Paint

ALL THREE (WARD/JAMES/OBERST)
Seashell Tale (M Ward song)
Always On My Mind (Willie Nelson cover)
Laura Laurent (Bright Eyes song)
At Dawn (MMJ song)
At The Bottom Of Everything (Bright Eyes song)
Girl Of The North Country (Bob Dylan cover)


ZIP UP THE NIGHT
(re-upped, the individual links are removed)

(Note: Mike Mogis and Nick White also performed at this show)


[thanks to the original taper]

Before They Were Blogged: M. Ward demo tape

Before M. Ward embarked on his own glowing solo career making mind-bogglingly terrific albums, and before he met Zooey Deschanel and started recording some (She & Him) music and playing festivals with her, Matt was part of a band called Rodriguez in the mid '90s with a strong college circuit following.

During one such university show around 1997, a kind future Fuel/Friends reader happened to pick up a modest cassette tape of solo material that Ward was experimenting with. Two years later, a similar (or maybe the same) collection of songs would end up in the hands of Howe Gelb (Giant Sand), who became fond of this Portland troubadour's warm, stark folk sounds and released his first album Duet For Guitars #2 on his own Ow Om label.

Third in a mini-series of "Before They Were Blogged," it has taken me over a year to realize exactly how buried and forgotten these tunes are. Since my reader actually converted them from that original cassette tape he still has, I'm fairly sure this is an unheard sonic collection -- one that M. Ward's fans will enjoy listening to as much as I have. Unfortunately I don't have much more information to go on other than what my reader tells me, but all the things I love about M. Ward are certainly here in all their humble, honey-drenched, warm, raspy vibrancy.

M. WARD
SOLO CASSETTE/DEMO TAPE
If The Devil Came And Promised Me Joy
Don't Crack
Made of Glass
Tom Violence (Sonic Youth cover)
Intermission
Must Be Waiting
No, You Can Never Make It New Again
Bye Bye Love (re-working of the Everly Brothers hit)
I'm Going Higher

M WARD CASSETTE/DEMO ZIP

She & Him are very . . . nice

One of my most anticipated shows at Noise Pop this weekend in San Francisco was the M. Ward collaboration with velvet-voiced actress Zooey Deschanel called She & Him. I could hardly overstate the level of love I have for M. Ward's richly layered music, and Zooey has this fantastic retro-throwback vibe with a sweet coyness to her inflection. The samples I've heard from two of them have been promising.

And, let's face it -- much like the time I saw Russell Crowe's band at the Fillmore (that's Thirty Odd Foot of Grunts for those of you keeping track at home), everyone likes to go see a real live attractive movie star play with their band. It's why folks spend $40 to see Dogstar.

After three opening acts at the Great American Music Hall Sunday night, Matt and Zooey took the stage for their hour-long set. I gotta hand it to Zooey, she is a charming and capable performer who reminded my friend of June Carter Cash a bit, I suppose in her vocal swing. I'd never seen M Ward before but he clearly enjoys those sounds he coaxes from his vintage guitars, and sings his vocal parts with the gusto and expressions of an 80-year-old bluesman. It's fun to see them interact with each other, ending their main set on the piano bench playing the ivories side by side.

But somehow the visceral kick that I like to feel in a live show was missing last night. The overwhelming reaction I had when I walked out the doors was that it was nice, absolutely, and charming. It felt like a very engaging county fair act. They have a lot of potential as a duo, as their voices meld so well and offer each other a counterbalance. I've got the album at the very top of the stack of advances to take a listen to -- I am anticipating that I'll catch some layers of interest and depth in the studio album that I must have missed in the live setting.

The bloggers were out in force for this show, and as we all travel home, Aquarium Drunkard posted up a quick thought saying that the show was fantastico. The line around the block made this one of the hardest shows of the fest to get into, but I left feeling like I'd missed something in what was supposed to be the kind of glorious winner in the cool-kid olympics show of the year. It was fun. And nice.

Why Do You Let Me Stay Here - She & Him

Volume One is out on Merge Records March 18. Thanks to the dude with the iPhone in front of me who shared his clandestine pics.

M. Ward + Zooey Deschanel collaboration is near :: Four new songs from KCRW!

I'd heard last summer that my #1 artist from 2006 and the honey voiced starlet from Elf (among other projects) were collaborating on a full-length album, but it slipped from my radar for a bit there. Now look, we only have 2 more months to wait! M. Ward and Zooey Deschanel will be collaborating under the name She & Him with an album called Volume One (they are wildly creative in both namings) due out March 2008 on Merge Records.

Recently the duo stopped by the KCRW Open Road program to play several songs together. M. Ward has that humid, scratchy, atmospheric sound that balances out the velvety old-fashioned (sexy) croon of the delighful Ms. Deschanel. This is one highly anticipated album for me in 2008; I am hoping for a higher ratio of original compositions to covers, but I'll take whatever they deal. Listen:

M. WARD AND ZOOEY DESCHANEL
KCRW OPEN ROAD, JAN 2008
Change Is Hard
You Really Got A Hold On Me
Magic Trick
Sentimental Heart


ZIP UP M AND ZOOEY



I'm heading out the door now to see this guy tonight. I am hoping there will be some digeridooing. I'll keep you posted.

New contest: Win the Hottest State soundtrack, and read the book you lazy summer slacker

I am generally a really upbeat person but I can't help myself -- I truly despise heat coupled with humidity. This is why it is good that I don't live in, say, Georgia or West Virginia because I would be the most grumpy person you know all through the month of August. Plus my hair would be very frizzy.

I am rambling about hot weather as a seamless tie-in to my newest contest: two lucky winners will win a soundtrack+book prize pack for the upcoming Ethan Hawke film The Hottest State. My first listens have been very enjoyable - it's a fairly mellow and eclectic collection, and features the superb songwriting of new Fuel-favorite Jesse Harris. When forming the concept for the film adaptation, Hawke and Harris delved into the collection of 80+ songs that Harris had penned over the years, and then enlisted a dream team of folks like M. Ward, Feist, Bright Eyes, Cat Power, Black Keys, Willie Nelson, and Emmylou Harris to record them. You can stream the entire record here and then pop over to see the full tracklisting on their MySpace.

The movie is based on Hawke's book (I didn't know he wrote), so the two winners will each get a CD soundtrack plus the book for good end-of-summer reading as you lay by the pool and perfect that tan that will have to sustain you as the last vestiges of summer slip away.

So depressing, I know, stop it.

I'll pick TWO random winners from all entrants by next Friday August 17th. If you'd like to win, please leave me a way to contact you (or promise to check here to see if you won, and then email me if you do) and answer this question:
What is one of your favorite hot weather/summertime memories? Random, funny, serious, whatever - it just has to effectively include that "hot" business. Godspeed.

From the soundtrack:
If You Ever Slip - The Black Keys
It Will Stay With Us - Jesse Harris

New duet from M. Ward and Zooey Deschanel

Actress Zooey Deschanel has a swanky cabaret-tinged lilt to her voice that's resonated well with me ever since she cautiously sang along with Will Ferrell in the movie Elf, and you know how much I love the humid crackle of M. Ward.

Now they've joined forces to record a cover of the Richard and Linda Thompson duet "When I Get To The Border" for the new independent film The Go-Getter. The film is directed by Martin Hynes (Stealing Harvard) and stars Lou Taylor Pucci (Thumbsucker), Jena Malone (who sings now too) and Zooey Deschanel. It was debuted at Sundance this past February and is on the hunt for a distributor to bring the goodness to the masses, hopefully by the end of the year.

M. Ward apparently scored the whole film, and the soundtrack also features Elliott Smith ("Coast to Coast"), The Black Keys ("10am Automatic"), and The Replacements.

When I Get To The Border - M. Ward & Zooey Deschanel

M.'s been on a soundtrack kick lately (such expressive atmospheric tunes add richness to any film) -- note his performance of the Jesse-Harris-penned tune "Crooked Lines" for the new Ethan Hawke film The Hottest State. That soundtrack is out next week, August 7th, on the newly-resurrected Hickory Records.

A few noteworthy releases today: M. Ward, Foo Fighters, and (surprise!) Stars

News of three releases today that I found to be of interest:

M. Ward's debut solo album Duet For Guitars #2 (tricky, naming your first album something with a #2 in it....) is finally back in print, re-released today by Merge Records. Originally out in 1999 on the Co-Dependent label and then also re-released in 2000 by M's friend Howe Gelb (Giant Sand) on his Ow-Om label, it's been out of print for a few years now. If you, like me, may just be hearing about Ward for the first time with his superb Post-War album last year, delve into the rich back catalog.

Duet For Guitars #2 - M. Ward

The Foo Fighters have re-issued The Colour and The Shape today for the ten year anniversary, with the addition of 6 bonus tracks. Coming on the heels of the news of their 6th album forthcoming this fall (rumored to be called Echoes, Silence, Patience, and Grace) this is an exciting week for Foo fans.

Baker Street (Gerry Rafferty cover) - Foo Fighters
you totally forgot you knew this song until you hear that riff --was it sax on the original?-- and then you're humming along with the "ooooooh"s

Also, an eagle-eyed reader sent me the news that Arts & Crafts has unexpectedly digitally released the new Stars album In Our Bedroom After The War today, three months in advance of the physical release date.

This logic is pretty revolutionary, read along:

Friends, fans and supporters of Stars... 2007-07-10
On September 25th, Arts&Crafts will release Stars' fourth studio album, In Our Bedroom After War. We love it and are excited and proud to be bring it to the world.

We enlisted Joe Chiccarelli to mix the album. He finished in early June, passing the tapes along to Emily Lazar at the Lodge for mastering. Last Friday, July 6th, a final master was delivered to us.

Traditional music business practice says we are to begin sending out copies of this album now. We give advance copies to print publications in hopes of securing features that coincide with our September date. We meet with radio stations in hopes of securing airplay. etc, etc.

Inevitably someone will leak the album.

Throughout this process, the most important people in this value chain, the fans, are given only two options - wait until September 25th to legally purchase the new album or choose from a variety of sources and download the album for free, at any time.

We hope you'll choose to support the band, and choose to pay for their album. However we don't think it's fair you should have to wait until September 25th to do so.

We believe that the line between the media and the public is now completely grey.
What is the difference between a writer for a big glossy music magazine and a student writing about their favourite bands on their blog? What differentiates a commercial radio station from someone adding a song to their lastfm channel? or their myspace page?

As such, we are making the new Stars album available for legal download today, four days after it's completion. The CD and double vinyl versions of the album will still be released on our official release date, September 25th. We hope you will continue to support music retailers should a physical album in all it's packaged glory be your choice of format.

It's our hope that given a clear, legal alternative to downloading music for free, you will choose to support the creators.

We hope you enjoy it as much as we do.
Jeffrey Remedios, Arts & Crafts

The Night Starts Here - Stars

Feel something with Jesse Harris

I first decided to take a listen to Jesse Harris when my little brother recommended him to me recently. After several years of my brother being heavily into Japanese pop and questionable Final Fantasy music (the game, not the band), I'm finding lately that our tastes are becoming more in-line. Plus I love him, so I try and move his suggestions to the top of the long "to listen" list. On this one, Brian -- definitely a good call.

Jesse Harris is from New York City, and is probably most famous these days for being the guy who wrote much of the ubiquitous, breathy Norah Jones album Come Away With Me, and won a whole boatload of Grammy Awards (the year I was there, actually). Feel is his newest album in a string of seven, coming out July 10th on Velour Recordings.

And what an album it is - luminous, fresh, and full of interesting percussion (which is the first thing I noticed). I hear tones of everything from clean Beatles pop, to Graceland-era Paul Simon, tones of the gentle banjo-plucking of Sufjan, to even hints of my beloved David Gray. I think this is a great songwriter album, catchy and nuanced, and it's getting repeated spins in my car this summer. I highly recommend this one, and I love how the album art looks the way the music feels.

Feel - Jesse Harris

After All - Jesse Harris

In equally excellent news, Jesse Harris is also the man behind the entire soundtrack for Ethan Hawke's new film The Hottest State. Jesse wrote all the songs in a continuous suite, which are then sung both by him and also artists such as The Black Keys, Bright Eyes, Willie Nelson, Cat Power, M. Ward, Emmylou Harris, and Feist. That anticipated soundtrack will be out August 7th on Hickory Records.

Somewhere Down The Road - Feist

Crooked Lines - M. Ward


Jesse Harris: tour dates & more tunes here

If we can't have a great music festival on Alcatraz, this'll do

The Noise Pop peeps have done it again. In conjunction with Another Planet Entertainment, they've just announced an outdoor fall music festival on Treasure Island, the other mysterious land mass in the middle of the San Francisco Bay. It's been so long since I've been out there, it's just this exit on the Bay Bridge that I always used to speed past. But come September 15 . . .

THE FIRST TREASURE ISLAND MUSIC FESTIVAL
SEPT 15-16, 2007

Modest Mouse
M. Ward
Thievery Corporation
Spoon
Gotan Project
DJ Shadow & Cut Chemist
Built To Spill
M.I.A.
Ghostland Observatory
Clap Your Hands Say Yeah

...and others to be announced. In addition to the above acts, there will also be a second stage featuring up and coming local bands. According to the press release, "It is the first music-based event of this scale and scope to take place on the man-made island that was originally built to house the 1939 World’s Fair."

(I also just found out that parts of Indiana Jones and the Last Crusade were filmed on Treasure Island, which just ratchets up its rad factor in my book)

There's some stiff competition that weekend on the festival scene: I'll be at the Monolith Festival, and it's also the weekend of Austin City Limits (and somehow Spoon is playing at all three). But how cool is that for all you fans of good music back in my old stomping grounds? Good job on this one, festival organizers.

TREASURE ISLAND FESTIVAL SAMPLER
The acts they've lined up are a refreshing blend of indie rock, international beats, and electronica/hip-hop.

Summer - Modest Mouse
Chinese Translation - M. Ward
Un Simple Historie - Thievery Corporation
Rhthm & Soul - Spoon
Mi Confesión - Gotan Project
Erase You (feat. Chris James) - DJ Shadow
What's The Altitude (feat. Hymnal) - Cut Chemist
The Plan - Built To Spill
Amazon - M.I.A.
Stranger Lover - Ghostland Observatory
Upon This Tidal Wave of Young Blood - Clap Your Hands Say Yeah

Slow on the uptake: M. Ward on Conan tonight

I got an email earlier today from Merge Records and just now got to it - but this sounds cool:

M. Ward will be performing on Late Night with Conan O'Brien TONIGHT Thursday, May 17th.

M. Ward will be joined by an impressive band of friends including Neko Case, Kelly Hogan, Jim James, Mike Coykendall, Than Luu, & Adam Selzer to perform "Chinese Translation" from Post-War
(note: my #1 last year!)

Don't miss this just-for-TV slice of musical magic positioned just a little later than what will no doubt be an action-packed season finale of The Office!

(Team Pam! Team Pam!)

M. Ward vinyl rip

Thanks to Kevin, who rocks all sorts of goodness over on his blog So Much Silence, I've added an audio rip of that limited 7" remix from M. Ward and Jim James. Kevin is the master of vinyl ripping, so you get all that snap, crackle, and pop at no added charge. Thanks Kevin!

Head over to the original post for the mp3.

A splash of Southern Comfort with M. Ward

The freezing walk to the mailbox was all made worth it yesterday afternoon by the discovery of a very cool flat package containing a 7" limited-run vinyl from FADER Magazine/blog in a partnership with Southern Comfort. Part of a new series this whole year to release "up-and-coming" artists on limited edition vinyl, the first in the lineup contains:

Side A: Magic Trick (Kansas City Remix) (Thanks Kevin!!)
M. Ward with Jim James

Side B: Soap
Ladyhawk

Post-War (from whence comes the lovely harmonies of "Magic Trick") is an album that sounds all rich and scratchy and warm --an effect which is doubled on a record player-- and I derived great joy from sitting in front of my stereo listening to this small gem. The remix takes out the drums and remixes the vocals a bit more distinctly so the harmonies don't mesh as seamlessly. It also brings forward the bittersweet harmonica line, giving the overall effect of a Kansas City backporch BBQ. You can win your own copy here. Oh, and check the solo M. Ward shows added. San Francisco gets all the fun. Come to Denver, "M."!

AOL, like, totally wants to go to the next Cold War Kids show with you

I am a little confused by the AOL Music Indie Blog. The first time I heard of it, it just sounded like a non-sequitur to me, like a math equation that does not compute. AOL = indie?

They are using their gigantic corporate conglomerate muscle and huge subscriber base to draw these great podcasts from a wide variety of (mostly) smaller independent artists.

I suppose I could just enjoy and keep my mouth shut, but I just have to admit my hesitancy in having AOL be my source for, like, a Josh Rouse interview. Isn't that what smaller labels and independent radio stations are for? The performances are great so I can't complain, but I have to admit that the concept kind of rubs me the wrong way.

I know, I know - get over it, and listen to these:

RECENT PODCASTS (the links are to mp3 of podcast) -

M. Ward
(performing Chinese Translation, To Go Home, Paul's Song)

Cat Power
(performing Love & Communication, John John, Satisfaction, Ramblin' Man)

Noel Gallagher
(performing It's Good To Be Free, Whatever, Slide Away)

The Lemonheads
(performing No Backbone, Why Do You Do This To Yourself, My Drug Buddy)

Nada Surf
(performing 8 songs -- now that's just crazy talk: Concrete Bed, What Is Your Secret?, Always Love, Hyperspace, Blizzard of '77, 80 Windows, Happy Kid, Blankest Year)

José González
(performing Crosses, Deadweight on Velveteen, Lovestain, Heartbeats)

Josh Rouse
(performing Quiet Town and Givin' It Up)

Jamie Lidell
(performing Game For Fools, What's The Use, Multiply)

M. Ward: Scene From #12 EP

Now THIS makes me feel nice and happy today. As you may recall, I've fallen hopelessly in love with M. Ward's latest release, Post-War, and have been on a spirited jaunt to seek out his earlier material. I love the warmth of his songs and the way so many of them just envelop you with a sense of immediacy.

One of his earliest solo releases, the Scene From #12 EP (2000, 62 TV Records) is currently not commercially available, but it's a seamless little collection of four songs that make me contentedly smile. I think you'll be happy if you enjoy these along with me today:

01. Scene From #12
02. Wild Minds
03. Carolina
04. Going Away

SCENE FROM #12 EP AS ZIP FILE

Buy Post-War if you haven't already.

M. Ward: "I write songs out of a burning desire to create something good."

I wanted to draw y'all's attention to an excellent interview with M. Ward in the Chicago Tribune, reviewing his fantastic new Post-War album. If you recall, I posted a track ("To Go Home," a Daniel Johnston cover with background vocals by Neko Case) from his new album a few weeks ago, and now his Post-War album is out -- and it is mind-bogglingly good.

The Trib reviewer (Greg Kot) masterfully uses his words to capture the rich mood of the album: "Ward folds his skills into songs of unusual depth and the kind of humid lived-in atmosphere once routinely found on old Roy Orbison, Billie Holiday and doo-wop records. Ward's albums live in the room in which they were created; the listener can almost feel the presence of the musicians through the speakers." He is spot-on in expressing what I would want to say, and "humid" is a great word to describe the album. There is such a permeating sense of substance and immediacy to these tracks.

I'd say this album is definitely in the running for my top 10 list this year; it's got the weight & beauty to sustain multiple listenings over the years.

I appreciate the depth of musical styles that Ward blends together, from the warm ragtime post-war sound of last-call tunes like "Afterword/Rag," to the harmonies of the Beach Boys (notable on tracks like "Magic Trick," co-written with My Morning Jacket's Jim James) and the gentle folk storytelling of "Chinese Translation" (video here). Several of my friends are raving about it too (here or here), and the accolades are well-deserved.

Use some of your eMusic songs for this month to pick up this bad boy. Not an unworthy song in the bunch.


LISTEN: Post-War - M. Ward
(one of the most beautiful songs on the disc; honey rich, lovely, moody, sexy, fantastic. Begs to be listened to --really listened to-- with your eyes closed)

Monday Music Roundup

Color me tickled pink.

I had such an interesting, surreal time at the Radio & Records Triple-A Summit in Boulder on Friday. I got to meet a lot of interesting record reps and label folks, came home with a huge stack of new CDs to listen to, and learned about some cool radio stations and programming in the U.S. right now.

The day was this weird combination of folks who truly KNOW and LOVE music (I had more fantastic conversations in 18 hours than I have in the last 18 weeks) right smack alongside the business side of things, this pushing of music as a commodity. I saw the side of marketing and branding and distribution and all the things that are undoubtedly necessary in today's world to have music be heard, but also seems in a weird way (to my naive and idealistic mind) to somehow contrast the beauty and art contained in a great song. But it's necessary, so there you go.

It also felt a bit conspicuous being a blogger alongside radio programmers. I love radio, I love a good radio station, there is fantastic variety and quality on a lot of these stations. But I felt as if I might get run out of there at any moment because a blogger is kind of the anti-radio-programmer: instead of me waiting for a radio programmer at a big station to add the artists I feel passionately about, now with the internet and mp3 blogging, I can just go right to my computer, find cool new stuff, create a playlist, and essentially be my own programmer. So I am not sure how the two fit side by side. I think that a lot of folks there may have felt the same way: there was certainly a lot of warmth and interest towards what I do, but I was very aware of the dichotomy and wondering how, in the future, the two will intertwine.

The best thing about the day was that I found enough fodder for dozens of posts about new artists. Musicians were milling about, I got to talk to several on your behalf, hear about their musical philosophy, how their records were created, their backstory and their songs. It was beyond cool.

Here are some of the best new songs that caught my ear from the event:

Balancing The World
Eliot Morris
I believe this recommendation came about from a conversation wherein I was saying something about Counting Crows. The name of this artist immediately followed, and if you like Counting Crows, please give Eliot Morris a shot (I also hear some reminiscence of Matt Nathanson here). Uplifting, intelligent pop at its best. Check him out on MySpace - his album What's Mine Is Yours comes out August 15th on Universal and I will definitely pick it up. The new release features collaborations with Dan Wilson of Semisonic and David Lindley (Jackson Browne, Bob Dylan, James Taylor). Funny, I just noticed that he is on tour with Counting Crows. Well, good pairing I guess.


You Made It
DJ Shadow feat. Chris James
From DJ Shadow's upcoming release The Outsider (Sept 12, Universal), and featuring Chris Martin Chris James of Stateless, this sounds like nothing I would have ever thought I'd hear from DJ Shadow. The electronic effects are restrained; this is mostly an acoustic guitar based song over a subtle, tense beat with soaring, melodic vocals. Very nice. DJ Shadow is currently on the road, through Asia and the UK (with one rad stop at the Greek in Berkeley, opening for Massive Attack in September).


I Wish I Was A Punk Rocker (With Flowers In My Hair)
Sandi Thom
Please be aware before you listen to this that it will stick in your head and you may find yourself singing it all day long, with its clever lyrics of nostalgia and being born in the wrong era. I saw Sandi Thom perform at the luncheon on Friday and I was impressed. She's in her early 20s, a rosy-cheeked, passionate Scottish-Irish vocalist who was quite charming. There was a definite rootsy vibe and strength to her demeanor. Her accompaniment on this tune was a guy sitting on and playing an amplified wooden box, which fascinated me. Check her out on MySpace and her album Smile . . . It Confuses People. She plays Atlanta tonight and has a handful of U.S. dates coming up. I liked her and would see her again.


Fire Island, AK
The Long Winters
Okay, so one of the best sessions for me was the Rate-A-Record deal on Friday afternoon. Moderated by my friend Bruce, ten "mystery tracks" were played for us and we had these little handheld boxes that let us rate the songs on a scale of 1-10 and then discuss them. I could do that every single day of my life and be content. Sitting around and talking about music with real people (as opposed to blogging about it) was stimulating. This was one of the toe-tapping tracks that I liked (others hated), from The Long Winters' third release on Barsuk Records: Putting The Days To Bed. The Long Winters are doing what I think every band should do by offering 5 full-length mp3s on their website, if you want to hear more. "Members Emeritus" of their band have included Chris Walla of Death Cab For Cutie and Ken Stringfellow of The Posies.

Timely note: Nada Surf just sent a post on MySpace saying that The Long Winters are playing a secret show tomorrow in New York City. They say, "If you are interested in attending a free Long Winters show on August 8th in NYC (and are at least 21), send an email to secretshow@barsuk.com and we'll send you all the details."


To Go Home
M. Ward
Another one I liked from the Rate-A-Record session, from M. Ward's forthcoming album Post-War (August 22, Merge Records). Where the Eliot Morris track above is pleasant and melodic and everything fits together, this track is thrumming and thumping with borderline dischordant piano in the background - but somehow it still all works together in a very compelling way. If you'd like to check out more from M. Ward, eMusic has a good selection of stuff from him. He is also currently on tour, and SO WORTH NOTING: The 3 California dates are supported by the formidable Mike Watt.

More music from the conference to come. Stay tuned.