Monday Music Roundup, Tuesday edition

People, I tell you -- this month is going to be the death of me. I can't manage much banter, but I can offer you music.


No One's Better Sake
Little Joy
I love songs where something is a little off-kilter - syncopated or otherwise, just to keep you a bit ajar. Little Joy is the new sideband of Fabrizio Moretti (perhaps my favorite Stroke because of his divine percussive gifts), and the beginning of this song sounds a bit like your car radio has been jarred loose from its dashboard moorings. In Puerto Rico. In 1967. The eponymous Little Joy debut is out November 4th on Rough Trade.

Caroline Says, Part II
Lou Reed
I also love songs that bring you into them mid-thought, mid-scene. Songs are so ephemeral and short by nature that there's usually no way you can tell a cohesive story, as you would in a novel (well, unless you're maybe Josh Ritter but not many are). Lou Reed starts this song with Caroline getting up off the floor and finishing her sentence. She's angry, and I would be too because she apparently wants him to stop hitting her. Fair enough, and a bit heartbreaking. This snapshot comes from the live re-recording of the entire 1973 album Berlin: Live At St. Ann's Warehouse is out November 4th on Matador. When Berlin was first released, Rolling Stone reviewed it as one of "certain records so patently offensive that one wishes to take some kind of physical vengeance on the artists that perpetrate them...a distorted and degenerate demimonde of paranoia, schizophrenia, degradation, pill-induced violence and suicide." Thirty years later, the magazine named it one of the 500 greatest albums of all time.


Either/Or
Wild Sweet Orange
Their band name sounds like Celestial Seasonings, but this song from Birmingham's Wild Sweet Orange is a lot more vibrant than a cup of tea. I think I first listened to this album upon reading ace-eared Bruce write that lead singer Preston Lovinggood --yes, that's his real name-- had a voice that was "just earnest enough to satisfy the needs of Grey's Anatomyrock fans (listen to "Aretha's Gold") but also disaffected and lethargically-not caring enough for you indie-rockers (listen to the Malkmus-like "House of Regret"). We Have Cause To Be Uneasy is out now on Canvasback Music, and was produced by Mike McCarthy (Spoon). WSO is on tour with Counting Crows and Margot and the Nuclear So and So's in the coming months.

Talk About
Dear And The Headlights
This tune from Arizona band Dear And The Headlights is about our differences, those foibles that drive the ones who love us crazy. It starts with lines about being warm and naked, come to save each other, and (like it goes for many of us) the song progresses from well-thought out guitar chords to a sort of jangly angry cacophony with yelled lyrics like "I said oh God damn it, you're so mean" by the end. The mood of the song is so perfect to soundtrack their argument, and the way he yells when he gets truly frustrated echoes the cracks in Conor Oberst's vocals. Their album is called Drunk Like Bible Times (stream it here) with song titles fitting the album moniker, like "I'm Not Crying. You're Not Crying, Are You?" That sounds about correct. Their next album is going to be called, And Verily Adam Lay With Eve, And The Lord Saw That It Was Good.


Done With Love
Whispertown 2000
I missed the Jenny Lewis/Whispertown2000 show in Denver last week, but my friend Jake made it out to see the fair Rilo Kileyan and her new favorite band. He spent most of his time going jelly-kneed over Jenny (what can you expect from a blog called I'd Leave My Girlfriend For Jenny Lewis?), but he also enjoyed the "Cat Power vibe" and eighties-tastic denim shorts of these ladies, Morgan Nagler and Vanesa Corbala of Whispertown2000 (who also appear on Lewis's new record). I saw WT2k open for She & Him at the Noise Pop fest in San Francisco in March, and they've got an alt-country vibe mixed with those doo-wop girl group harmonies. Their sophomore album Swim is due out October 21 on Acony Records.

Monday Music Roundup

Well, the mercury finally crested the mid-80s mark this weekend, just in time for Father's Day BBQs. I was laughing out loud on a hot Saturday as I discovered the fabulous Tremble.com blog and read his post about the first bare-chested male subway rider signifying that summer is truly here, like a red-breasted robin announcing the spring. Tell me, where else on the web can you read a recounting of a story that includes the sentence: "Say how would you like to get your dance card punched by [fists] Savion Glover and Alfonso Ribeiro? Let's bring in the noise as well as the funk, except with punches and kicks to the face and kidneys." It's terrifically funny reading.


Heck, no bare-chested, bleeding males 'round these parts lately, but some excellent new tunes can be considered almost as good...

The Old Days
Dr. Dog
This song feels eminently summery to me, a shiny new one from Philly's excellent Dr. Dog (still not the children's book). We've got banjos and sparkling vocals here, all swelling into a Nilsson-worthy symphony. The folks at FADER have seen Dr Dog perform much of their new material live, and wrote that "every new song they played was wilder, thicker, more willing to chop up the jam into smaller jam particles that smash into each other to create a wormhole directly to the best summer of your life." Can't complain. Fate is out July 22 on Park The Van -- and make sure to catch Dr. Dog on a crazy amount of tour dates in the coming months, including a roll through Denver's Hi-Dive September 27th.


A Change Is Gonna Come
Ben Sollee
I recently had an intensely-defended (and possibly liquor fueled) argument while in Washington DC about which version of this song was the best, Sam Cooke's silky original or Otis Redding's howling soul-filled cover. Now this goes and adds a new facet to the discussion. Ben Sollee is a white guy from Kentucky who takes a wholly good-natured, spirited stab at this formidable song -- and unfortunately leaves me cold. I've written before that Otis' version (the side I argued) "fairly drips with aching as [he] sings about the thick swelter of racial oppression in the South. You can almost feel and see the tension, like heat rising up off the August sidewalks." On the other hand, this sounds like a pleasant skip through the daisies. Sollee is a talented guy though, and I really do like the sweetly dusty acoustic soul in the other tracks I've heard off his Learning to Bend (out last week on SonaBLAST! Records).


My Drive Thru
Casablancas/Santogold/Pharrell
In this golden age of media tie-ins, a shoe company commissions an original song bringing together three artists we like: Julian Casablancas of The Strokes, Brooklyn glitter girl Santogold, and Pharrell project N.E.R.D. Whew. Quite the mouthful of folks involved, but I think this works surprisingly well from the opening bell peals, largely because of Pharrell's funky production and golden touch. I enjoy hearing Casablancas' drawl over the top of such a dance-ready beat. Santogold says that "working across musical genres was like creating a patchwork where I got to weave together various influences and allow them to co-exist in a fresh and original way." Now what to do about the Kurt Cobain Chucks?


Bargain of the Century
(song removed, stream it here)
Albert Hammond Jr
And while we're on the topic of "projects that take away from precious time the Strokes could be spending making new music for us," let's also broach the new songs from Albert Hammond Jr that have made their way onto the interwebs in recent weeks. This cut starts with a bit more aggressive drumming than the lackadaisical start of "GfC," but really, we keep ending up in the same hammock with Al, wine glass on our chest, unable to move with any real gusto in the summer heat. Sounds like we may be in for another collection of laid-back retro-pop melodies with this one. Incidentally I wore my AHJr shirt out to breakfast on Saturday morning (okay, so maybe I'd also slept in it) and I actually got a nod from the IHOP waitress about Al's new album. I was mostly just excited to find out that I am not the only person in Colorado Springs who would know what that three-bunny silhouette meant. Hammond's second solo album Como Te Llama is out July 7 on Scratchie.


Soul and Fire (acoustic demo)
Sebadoh
Not to be confused with that anthemic "Soul on Fire" from Spiritualized that I posted last week (and cannot stop singing out loud), this demo is the closing track on Sebadoh's 15-year reissue of their seminal Bubble and Scrape. The double-disc opens with the original, and closes with this small and humble demo, which sounds like it was recorded at the kitchen table of a mountain cabin, while waiting for water to boil or for snow to quietly stop falling. Barely two minutes, this demo is much less heartless than the album version, as it wanders through thoughts like, "If you walk away we may never meet again," and aches to a close with a phrase that sits on my chest: "Call me if you ever want to start again." The reissue is out July 8th on Domino/Sub Pop, and Sebadoh will be performing the album in full at the Pitchfork Music Festival in Chicago this July.


[top image via]

When we was young, oh man did we have fun :: The Strokes live from a Melbourne brewpub

Back in 2001 as Is This It started to take off for The Strokes, their dance card was suddenly and dramatically packed; according to the archived tour dates on their website they played just three shows in 2000, but over a hundred in 2001. Early show recordings are really difficult to find -- to sate my ears, I wanted something nascent from 2000, but the odds were against me.

During the summer of 2001, they played a small (capacity 300) pub/club in Melbourne called The Laundry, and the set was broadcast on Australian 3RRR community radio. The sound quality on this boot is pristine - the minimal crowd noise almost makes it sound like a lost studio demo of alternate versions rather than a live show, but with that terrific energy that I expect from these boys. It's a necessary addition to the collection of any Strokes fan.

THE STROKES
LIVE AT THE LAUNDRY
Fitzroy, Melbourne, AUS - July 2001
Intro
Is This It
The Modern Age
Soma
Barely Legal
Someday
Alone, Together
Last Nite
Hard To Explain
New York City Cops

ZIP: THE STROKES IN MELBOURNE

[top photo credit Cody Smyth, CBGBs 2000.
bottom photo credit Christopher Wahl]

Jesse Malin takes a walk on the somewhat wild but mostly acoustic side

Well heck. Here it is Monday night. In addition to the time change creeping up on me, apparently I am also going to forget what day it is and therefore not put the finishing touches on the Monday Music Roundup. Which is now looking like a Tuesday Music Roundup. Terrific!

Jesse Malin's cover of the Lou Reed classic "Walk On The Wild Side" surfaced over on the Times UK site today for free download. It's from his upcoming album of covers, On Your Sleeve, due April 7th on One Little Indian Records.

Walk On The Wild Side - Jesse Malin

It begs for comparison with some of the other other notable covers of this ode to transvestitism, back room darlings, and really smooth bass lines that sound what I would imagine heroin feels like.

Walk On The Wild Side - Marky Mark and the Funky Bunch
Oh the horror, this was my first exposure to this song. I bought this cassingle from The Wherehouse at Vallco Fashion Park mall, probably with babysitting money. I know all the lyrics; to this day, Annie's cautionary tale is probably the reason I've never done hits that make heartbeats accelerate. She wanted to be a chemical engineer, makin 50 to 55 thousand a year. She took a hit, breathed two short breaths. One for life the last for death. Thanks Marky.

Walk On The Wild Side (live) - The Strokes
Julian Casablancas always sounds like he is singing half-reclined on his counch and can't be arsed to get up, and I think he comes closest to channeling the delivery of Lou Reed. I love the way the moment in this cover when he hits the line about Jackie juuuuuust speeding away, and then of course that pretty rad guitar solo that Nick Valensi throws on at the end.

Imagine/Walk On The Wild Side - George W. Bush
Dubya gets his thang on, courtesy of some fancy editing from the fantastically entertaining thepartyparty site. Who knew?!

Walk On The Wild Side - Lou Reed
The original, the grandaddy of cool.

Who am I, where am I, and no more Polish women

1) I'm finally back but I am sick. Dang airplane recycled air.

2) California was excellent. In addition to all the wonderful Thanksgiving-related things, I adopted the spirit of appreciating what CA offers that CO doesn't; I got some really cute chocolate-brown corduroys at H&M in San Jose that I am wearing today, and I found a wrap dress that I want to wear every day. Plus, Trader Joe sent me on my merry way with cocoa almonds and some two buck Chuck. I could be in love with that strapping Trader man.

3) My high school reunion was the weirdest thing I think I've done yet. To see all those faces in one room - walking into that was strange. And great.

Since I can't even get my head clear enough to attack the hundreds of emails waiting for me, here are some random odds and ends that jumped out at me today, for you, since I miss you all:

۞ The new Nine Inch Nails remix album is out: Y34RZ3R0R3M1X3D (took me a while but hey look that spells out "Year Zero Remixed," which is what I think I'll call it in polite conversation). After getting out of his relationship with Interscope and going all free-agent, sounds like Trent has some new innovative ideas; he's posted tons of master tracks from his songs at remix.nin.com and invites his fans to play with them and share their results. If I had any idea how to do that, I would, but for now I will settle for listening to The Faint (whose song "Posed To Death" is on my very favorite running playlist) remix "Meet Your Master" --

STREAM - "Meet Your Master" (Faint Remix)

I think it sounds pretty good. If you think you could do better, try your hand at it over on http://remix.nin.com/


۞ Black Crowes announced details today on their new album Warpaint, due March 4th. It's their first new studio record in seven years, since Lions was released on V2 in '01. Since V2 is no more, this album will be out on the band’s own newly formed Silver Arrow Records, and the new lineup includes Luther Dickinson of the North Mississippi All Stars on guitar.

You can read the full tracklisting here.


۞ I stumbled across a raw demo version of The National's "Slow Show" over on Sixeyes. Now, you know how I feel about The National; My friend described this song perfectly when he wrote to me, "the national writes songs to drive through the darkness listening to, they are the best late night/early morning band i've ever heard, 20 years from now when they remake almost famous they are going to be playing fake empire or slow show in the bus scene instead of tiny dancer." I thought that was lovely. So go see what you think.


۞ Roger Clyne & The Peacemakers are heading back into the (Mexican) studios in January with the creative mission to write, compose, and record an album in 8 days . . .

According to their MySpace blog, Roger, P.H., Steve, Nick, Jason Boots with his video camera, and the talented Clif Norrell (producer of Fizzy Fuzzy Big & Buzzy and No More Beautiful World) will be relocating for the week to a house in Rocky Point, Mexico, and I am excited to hear what is to come. Roger told me a near-mystical story once about how the song idea for "Leaky Little Boat," (one of my favorites) sprung unexpectedly from the fertile beaches of communal Mexico living, so let's hope that same inspiration is present come January. Read Roger's latest story of white-knuckled traffic travails and the details on the album here.

۞ New tour dates announced in 2008 for Ryan Adams (and then while you're at it go over to the MySpace try and figure out WTF is going on with the Axl Rose-channeling on the streaming new Ry song "Sexual Fantasy")


۞ New tour dates announced in 2008 for the Foo Fighters (and they've got that new video for Long Road to Ruin that reminds me of the adolescent days when I used to follow General Hospital - a dark secret)


۞ The Fader Magazine has a really interesting article on New York rock in "the years to be hated" (early 2000s) and includes some cool silent black and white video footage of The Strokes shot in the style of Andy Warhol's Factory screen tests.The article talks about the Strokes in their genesis days (lower-case g), and also bands like the Yeah Yeah Yeahs, !!!, the Rapture and DFA. The article has several punch-fantastic photographs in it, but this absolutely gorgeous photo instantly became one of my all-time favorites - that saturated hue, the skyline, that perfect time of night, all lovely and blue.

The Strokes and Eddie Vedder: "Mercy, Mercy Me"

Sweet lord, it's raining duets that I've been wanting to hear. Thanks to Jed, here is the studio version of the Marvin Gaye cover with Vedder along with The Strokes, and Queen of the Stone Age Josh Homme helping out my man Fabrizio on the skins. Verse-swapping goodness, recorded as a b-side for the "You Only Live Once" single.

"Mercy, Mercy Me" - The Strokes, Eddie Vedder and Josh Homme


And a bonus track documenting the continuing saga of the love between Ed and The Strokes:

"Juicebox" (live) - The Strokes and Eddie Vedder
Rolling Stone's 1000th Party, May 2006 - low quality audio, but hey it's worth what you're paying for it.


And folks, I know EZArchive sometimes sucks and I do apologize, but I still haven't found any better file-hosting system. If these links don't work, it's not because I took em down (usually up at least 2 days) - but because EZArchive sucks. Sorry! Try back!

Monday Music Roundup

Time for the weekly fix. Here is some new music for you to enjoy. Let me know what you think. If something really tickles your eardrums I'd love to hear about it.

"For The Turnstiles"
Josh Rouse
This is another great track emailed to me by Adam, my new musical drug dealer. It is a beautiful cover of the Neil Young song, performed live on KCRW 2. It is a lovely rendition. I am digging Josh Rouse more and more of late.


"You Only Live Once"
The Strokes
I know that the new Strokes album First Impressions of Earth has been leaked and posted on practically every possible place on the internet, and that they have been on every magazine cover possible in recent days (exhibit A to right) but if perchance you HAVE NOT heard this song, I am posting it here because YOU MUST. This is one of my favorite tracks of the year, period. I love drummer Fabrizio Moretti, and on this track you can see why. Oh, to be like him someday. His loose and laid-back improvisations blow my mind all over this track. He's just havin fun, doing his own thing, meandering back to the regular beat when he feels like it. Very fresh and compelling and infectious.

"On My Mind"
Kalai
Upon first listening to this, Kalai sounds like James Taylor or Ben Harper. This is a simple, agreeable little song that always makes me happy, and I love to sing along cuz it is right in my perfect range. It was released on Kalai's 2001 album Acoustacism. Kalai is only in his late-twenties, born in Hawaii and raised in Alaska. He has an excellent grasp of the new-folk genre and has quite a fine little album here. His dad is Danson, a Hawaiian music legend. In addition to making good music, Kalai is also an expert fly-fisherman and enjoys the simple life. Wow, that sounded like a personal ad. Anyway, check out his website at http://www.kalai.cc.

"Nothing Compares 2 U"
Stereophonics
Well, Sinead O'Rebellion. This is a cover of another song that distinctly reminds me of my elementary past, this one of the fifth grade and my best friend Britt. We would sit around and listen to Sinead belt it over and over. (Wait, did you hear that? That was the sound of my street cred dissipating.) Anyway, this gruff cover by the Stereophonics is irreverent and surprisingly heartfelt. I heard this on KEPC, a local community college radio station which plays a superb selection of music. Yay KEPC!

"Which One Of The Two Of Us Is Gonna Burn This House Down?"
The Star Spangles
Gritty garage rock, baby. The Star Spangles are out of New York City and in the vein of the NY Dolls and the Ramones, with some Stooges thrown in. It is clear who their influences are, not that that makes this cut any less enjoyable. I also find the vocals distinctly reminiscent of Paul Westerberg. This is off 2003's Bazooka!!.

Speaking of The Replacements/Westerberg, I have been blessed with a largesse of rare tracks from them (2 CDs worth!) from a kind musical e-pal named Jerry, and I will be posting all the tracks here in the next few days, once I get time to upload the zip files! So if you are a Westerberg fan, stay tuned.