
It's already a new week? One thing that flew past me in the craziness of last week was a mention of the new
Contrast Podcast that I contributed to, where a bunch of us bloggers get together to virtually DJ a radio show. The theme last week was
Who? and I finally contributed a most excellent Pearl Jam track ("Who You Are"). I held out on the PJ for a while but hey, what do you expect?
This upcoming week Tim will be putting together
Contrast Podcast #18 wherein all of us were supposed to submit an instrumental track and then
SING OUR INTRO. I confess, I recorded one and then buckled. I listened to it, buckled, and didn't send it. I can sing, but geez that felt too vulnerable. I'll be interested to see who had the cajones to submit for this week's podcast. In the meantime,
listen to last week's for some mind-expanding variety & good tunes.
ChainsDanielia CottonSwanky, bluesy, delicious.
Danielia Cotton hit the music scene with a bang last year with her
Small White Town debut album (HipShake Music). This is a raw, soulful, dust-on-the-front-porch album from Danielia, who alternately shares some of the growl of Joss Stone, the blues-rock of the Black Crowes, and the vocal chops of Janis Joplin. She combines her skills on the guitar with an appreciation of all the musical greats that came before her, and the result is fresh and highly recommended.
So Good To MeSam ChampionNow despite the name,
Sam Champion is
a quartet from New York, not just one guy named Sam (they apparently named their band after a weatherman from a 1974 TV show). Thanks to
my pal Chad for enthusiastically recommending this Ryan Adams-fronting-Pavement sound. He said I would be humming the main riff (from this track off their 2005 album
Slow Rewind, Razor & Tie) and I have been all morning. A spirited alt-country shout-out chorus with handclaps & some fierce electric guitars; I like it.
Reconstruction Site
The Weakerthans
I am just rediscovering
The Weakerthans; an old friend slipped me their
Left and Leaving disc back in 2000, and I promptly lost it in a box of stuff when I was moving. I just found it this weekend and have been listening ever since, and catching up on what they've done since then. This track is off their 2003 follow-up to Left and Leaving, the weathered sounds of the
Reconstruction Site album. If you've never heard these guys, give all their work a spin. They have a quirky blend of several influences, from country to punk to indie folksy -- all wrapped with
bitingly intelligent lyrics. It's those lyrics that make me want to listen again and again. On this track, there's a simple line that nonetheless conveys perfectly a sense of unease:
"I'm your dress near the back of your knees and your slip is showing."
Bucket Full Of NailsCentro-MaticI swore I wrote something about
Centro-Matic a few months ago when I discovered the loose & beautiful sound of these Texas indie-alt-rock-country guys. But I guess not, so now I get to recommend that you take a listen to their newest disc
Fort Recovery (Misra Records) which has a melancholy sweet air permeating the whole thing. One reviewer wrote that it captures
"that time just before the sun goes down when everything looks burnished and beautiful, but also a little sad" and I completely agree. This piano track also has a lazy touch of Jagger or Wayne Coyne on the vocals.
Into The Groove Sonic Youth. Covering Madonna. Seriously. You all know that I love covers, and I will argue that the very best of the covers are the ones that take the original and turn it into something completely new -- Exhibit A: Cat Power, "Satisfaction." Exhibit B: This damn song. The torchbearers of mid-90s-fuzzy-rock,
Sonic Youth, slog their way through Madonna's slumber party favorite and, well, there's something special about Thurston Moore's voice cracking on the high notes. Whose idea was this? (
thx Matt)
BONUS RECOMMENDED READING: I found that I could relate to about 20 things in
this article by the Heather from Dooce, detailing her college years of loving '90s music and BritPop, studying abroad in London and going on an Oasis history hunt, and reflections on how (to her Mormon ears), "the heartbreak in Kurt Cobain's voice was to me what it would sound like to violate all the ten commandments
at the same time."
Ha.
Labels: centro-matic, contrast podcast, monday music roundup, sonic youth, the weakerthans