I've completely fallen for the short and sweet debut album from L.A. trio
Little Joy, who hit Denver's
Larimer Lounge on Tuesday night. After a chance meeting at a Portuguese music festival, Fabrizio Moretti of The Strokes and Brazilian musician Rodrigo Amarante (
Los Hermanos) sat beside a river and talked about their musical leanings. Upon returning to Los Angeles, they formed this trio along with local musician Binki Shapiro. The three moved into an Echo Park house, starting recording demos, and named their project for the cocktail lounge down the street.
Like a Shirley Temple, there's an innocence from another era captured here, but also a hearty dose of more modern sounds cultivated in both garages and bossa nova clubs. The sum effect feels like someone took a band like the Strokes (no denying -- Amarante often sounds delightfully like Casablancas, at
the peak of his lazy lounge-singing), plunked them down in some post-war era American nightclub in Rio de Janiero, and gave them a regular gig on Tuesday nights. That's how this fantastic album feels - without pretense, eclectic, wistful . . . but music you can dance to.
How To Hang A Warhol - Little JoyThe singing occasionally lapses into Portuguese, the vocalists croon while the backup singers shoo-wop in Motown moments. The music clatters and sways with Latin influences and island ukuleles. Some of the slower songs --especially the ones fronted by Binki and her charmingly honest voice (listen: "Don't Watch Me Dancing")-- sound like the perfect soundtrack to a Technicolor 8mm film projecting in slow motion. Or maybe something I want to listen to on a sticky-humid night, unable to sleep in hotel sheets, while watching the ceiling fan lazily spin and waiting for an ocean breeze through the open window.
Of all the side projects of Strokes members, this one checks in tops with me because there is an almost-kitschy but genuine
joie de vivre captured in these thirty minutes. As Moretti
said when asked about how this project came to be, he replied that "We weren't doing it for the sake of doing it; we were doing it for the
love of doing it." And you can tell.
Little Joy is out now on Rough Trade Records, and you should
really go see them in the coming weeks if you live in
any of these West Coast cities. Me, I'll be there with bells on
Tuesday night in Denver.
[
top photo credit the awesome Autumn de Wilde]
Labels: autumn de wilde, little joy
Insound is teaming up again with Fuel/Friends to give away another music prize -- the book Elliott Smith by Autumn de Wilde. This is "a portrait of the beloved and troubled singer/songwriter by those who knew him well. Complementing de Wilde's riveting, personal images are ephemera, handwritten lyrics, and revealing talks with Smith's inner circle, many speaking here for the first time. Also included are a foreword by Beck Hansen and Chris Walla, and a live CD of unreleased solo acoustic performances."
