...we've got the means to make amends. I am lost, I'm no guide, but I'm by your side. (Pearl Jam, Leash)

Saturday, December 09, 2006

My favorites of 2006

Ah, 2006. I think it was a great year for music -- but then again I think that if you're open to listening to a whole bunch of different things without much regard for major/minor/no label, "coolness" factor, or obscurity, then every year can be a very good year.

I've been refreshed in 2006 to be reminded that music is literally an endless fount that is constantly gushing. You plug up one hole only to have a new leak spring up somewhere else, a new voice, a fresh sound. It's really quite freaking fantastic.

Now of course I am not any sort of musical expert just because I tip-tap away on this blog. I am just a melodiphile (I made that word up) who loves to share -- and these are the albums that I wanted to share the most this year with everyone I met, the ones I listened to over and over, and the selections that I feel have the staying power to stick with me for a while. I don't think there's many surprises here since I've been pretty verbose about all these artists.

It's not exhaustive for all 2006 releases (and I must not be cool cuz there's very few of these folks); it's just my personal tops.


Pete Yorn
I find myself listening to this much more than Yorn's full-length album of 2006, Nightcrawler (which does have its strong points); Westerns is a seamless little 7-song odyssey that fits together just right with all the flow that Nightcrawler lacks. Yorn called it “twang-rock” and indeed it is a golden and scratchy-warm rootsy collection of tunes. It may be a little cruel to put this on the list since I don't think it commercially available at the moment (except to those who were fortunate enough to make it to shows on his recent tour where it was sold), but it's out there to be found by the diligent. And worth your hunting.

The Good Advice – Pete Yorn

Girl Talk
(Illegal Art)
Undeniably exciting, a thousand samples a minute: Songs you know in ways you never thought you'd hear them. My first comment on this said “This looks horrifying,” and to please ignore the album art. And though it’s nothing I ever thought I'd put on a best-of list, I cannot deny how much I like this instant party-on-a-disc [previous post]. And I find that sometimes when I hear the original songs now, I hear this overlaying it in my mind, so it's forever warped me. But that’s okay.

Bounce That – Girl Talk

The Lemonheads
The Lemonheads come in more flavors and incarnations than almost any other band I know of (the current lineup includes former members of The Descendents and Black Flag), but the one constant is Evan Dando and he still sounds as good as ever. After several solo albums, he’s brought back some of the rocking sounds and undeniably great pop hooks that made me love his music in the first place. I feel like I should be contentedly laying on my back on my dorm room loft bed listening to this one loudly on headphones with a huge smile on my face.

Become The Enemy – The Lemonheads

James Hunter (Rounder)
I still sometimes mistake this for Sam Cooke or Van Morrison for a split-second when it comes up on my shuffle, even though I know better. James Hunter flawlessly channels the spirits of smooth sounds from decades past with this perfect summer BBQ soundtrack. This feels like a record full of oldies that you somehow missed - you pull it out, put it on the turntable, and there is a sense of recognition, like you've heard them before. Solid retro-goodness.

People Gonna Talk – James Hunter

Eliot Morris (Universal)
I mean no disrespect to Mr. Morris by saying this, but he's put out the best Counting Crows album of the year. By all means, he has his own unique lyrics and sound, but the similarities are undeniable -- and that's quite alright with me. The entire album is filled with great piano breaks and vocal builds, heartfelt tunes that you will have a hard time not tapping your toes to. Featuring guest appearances by Glen Phillips, Inara George, Gemma Hayes, Lisa Germano and David Immergluck, he’s got an all-star cast of friends who believe in his music, and I think we’ll definitely be hearing more from him in the future.

Anyway – Eliot Morris

Corinne Bailey Rae (Capitol)
Absolutely charming and never over-cloyingly sweet, this British belle circles back from her days of fronting a ‘90s rock band with this enchanting disc. Corinne’s smoldering voice really shines in front of these songs with a neo-soul vibe & a variety of alluring influences from rock to swing to jazz. Plus she cites the moment that she knew she had ‘arrived’ as when Eddie Vedder grabbed her for an impromptu waltz on British television, so she’s definitely a girl after my own heart.

Put Your Records On – Corinne Bailey Rae

Josh Ritter (V2)
From the first time I heard Ritter's epic song "Thin Blue Flame," I knew I had heard something special and unique. Ritter comes from the heartlands of America with a rambling folk masterpiece of sweeping lyrical panoramas and intelligent, thoughtful songwriting. A light hand in production by Brian Deck (Modest Mouse, Iron & Wine) gives these tracks an immediate and unrehearsed quality. Literate and eminently listenable, this is an album whose depths I still feel I haven’t completely plumbed despite multiple listens. And I love that richness.

Girl In The War – Josh Ritter

Sonic Youth (Geffen)
It's a rather formidable task to remain as consistently good as Sonic Youth, with their own distinctive fuzz-laden sound, and yet keep exploring new boundaries and sounds after 25+ years and as many records. With Rather Ripped, Sonic Youth has shown that they are still absolutely unlike any other rock band out there, with a foot strongly in the art-experimental rock world, but with compelling rhythms and harmonic guitars that still seems to talk to each other; a parallel story being told alongside the singing of Thurston Moore or rock-goddess Kim Gordon. Incinerate indeed.

Incinerate – Sonic Youth

Amos Lee (Blue Note)
I still think his debut album is pretty hard to top, but Amos Lee brings back that achingly incisive tenor and a gentle soul vibe (with tinges of gospel) to his sophomore album. A former schoolteacher from Philadelphia whose debut album first blew me away one rainy weekend in Seattle, Lee returns with another collection of heartbreaking songs -- although he's having a little bit more fun this time around (check out the delightful "Sweet Pea" with ukulele). The way he sings the simplest lyrics on this album just devastate me: "Now she’s left me for something more sure . . . I don’t know if I can do this anymore.”

Skipping Stones - Amos Lee

Jim Noir (Barsuk)
An exceedingly fresh sound from this 24-year-old from Manchester who clearly has done his sonic homework, and that BBC named “the musical oddball find of the decade.” The base of the album is formed from typical guitar pop with some heavy ‘60s undertones, but updated with elements of indie electronica. Noir sings winsome odes to his computer and how difficult it can be, the musical note of C and how “it’s easier to sing it,” and other minor things in life that often go unnoticed, or at least unsung. Fun but never silly, and thoroughly enjoyable.

Key of C – Jim Noir

Cat Power (Matador)
There’s an instantly-recognizable way that Chan Marshall (aka Cat Power) can nail a note with that melancholy voice of longing; it's distinctive, it's brutal, it's fantastic. While this album still has the elegiac piano ballads and the wrenching rainy-day songs that I love about her, we also see Chan kicking it up into a bit more of a romp with brass-heavy swingers like “Could We” or soulful jukebox grooves like “Lived in Bars.” Recorded at Ardent Studios in Memphis (made famous by Stax Records) with Al Green’s musicians, that soul is painted all over here in wide strokes. It's a delicious album which still retains her trademark suggestive longing, but it’s a longing you can mooooove to.

Lived in Bars – Cat Power

Johnny Cash (Lost Highway)
This is a gritty posthumous release from The Man. Not even "The Man In Black," he's just The Man in my book. Each song possesses both a surety and a sadness (like the picture on the cover). As Stephen King recently wrote, “This is the voice of an Old Testament prophet on his deathbed, eerie and persuasive, full of power and dust and experience.” I admire how Cash wasn't afraid to experiment with different sounds, even right up to the end of this life. Many songs on this album are comforting in their traditional Cash feel (even his take on Springsteen's "Further On Up The Road" sounds like his own), but each album in this American series has had a few tracks that were unexpected (note the stomp-clap worksong feel of "God's Gonna Cut You Down"). What a legend.

God’s Gonna Cut You Down – Johnny Cash

Jackie Greene (Verve Forecast)
Kid's all of 26, skinny as they come, but despite his unformidable presence he rocks and he wails as he creates rambling jewels of songs with a wisdom and a mastery that is well beyond his years. Discovered by Dig Records at an open mic in California’s Central Valley, then garnering rave reviews for his performance at a Bob Dylan tribute, Greene has released a string of albums with strong blues influence and folk-rock sensibilities. American Myth continues to showcase his abilities to let it loose on the harmonica or the keys, he tells rich stories with a lyrical depth and a rockin' feel.

Farewell, So Long, Goodbye – Jackie Greene


Josh Rouse (Bedroom Classics)
Rouse’s other 2006 release Subtitulo had some ace tracks and was in the running for this list, but overall I just love the vibe and feel of this little collection more, which the talented Rouse says was largely inspired by his love of film scores. It’s indeed cinematic the way the songs blend pleasantly together under a common theme, and although two of the songs are strictly instrumental, they nonetheless speak volumes. Superb and atmospheric, the EP paints an intimate downtempo picture with that smooth-as-butter voice.

The Last Train – Josh Rouse

The Format (Nettwerk)
I became obsessively addicted to The Format after seeing them perform most of the songs off this album live, where they spring to life in front of a full band (of 9 people or more at times), with a charismatic lead singer and plenty of opportunities for audience participation. No sophomore slump here, The Format have put out an effervescent disc of sheer pop goodness. Sometimes it sounds like a circus of trumpets, accordions, and xylophones, and sometimes they channel Queen a bit (and I really don’t even like Queen), but there is no denying the well-crafted nature of their songs, the creative lyricism, and the downright danceability.

She Doesn’t Get It – The Format


The Hold Steady (Vagrant)
I was surprised by this one, which at first I wasn't sure I'd like – but it irresistibly taps into something within me that I can't even describe. This album makes me feel sad sometimes, and captures the urgent moments of youth -- like I want to drive off somewhere at night and drink in a dimly-lit bar, and lose myself in the loudness of the music to ease the sadness. Craig Finn is a master with the details in his story-songs, and these are some of the best lyrics all year, hands down. Start with "Stuck Between Stations," the first track on the album: “Most nights were crystal clear, but tonite its like it's stuck between stations on the radio. . .”

Stuck Between Stations – The Hold Steady

Ben Kweller (Red Ink/ATO)
A magnetic and well-crafted pop album from former wunderkind rock prodigy Ben Kweller, the songs here are catchy and melodically expansive, with new levels of depth in the words -- plus Ben plays every single instrument on the album himself. That's dang impressive since it sounds so good. I’ve listened to this album over and over and I don’t foresee getting tired of it anytime soon.

Penny On The Train Track - Ben Kweller

Feist (Arts & Crafts)
With all charming honesty, Feist says of this album, "At first I didn't really understand what remixes were. If I squinted into the air I knew I could hear old songs with added beats piping out of radios, but I didn't know why or how that happened. It was so bizarre and exciting to hear a song that we had so carefully dressed, be undressed and re-addressed, and put into clothes it would have never thought to wear on its own." As if I didn't have enough reasons to love her with Let It Die, here those songs take on added dimensions, with her transcendent and throaty voice layered over it all. Irresistible.

Mushaboom (Postal Service remix) - Feist

Pearl Jam (J Records)
Just don't call them the grandfathers of grunge. In being as unbiased as I can with Pearl Jam, I will enthusiastically say that this is without a doubt their tightest effort in years, scorching and soaring back into #1 with passion and style. From the opening gates with the incendiary howls let loose on “Life Wasted” and “World Wide Suicide,” through the gorgeous Beatlesesque “Parachutes” and the absolutely masterful blues-soul ballad “Come Back,” there is a lot to love on this superb disc, which shows that after fifteen years they undeniably still have It.

Marker In The Sand - Pearl Jam

M. Ward (Merge)
I cannot get enough of this album. With all its warm textures and fuzzy goodness, rich songwriting detail -- hands down the best thing to spin my turntables this year. M. Ward has crafted a distinctive album permeated with a humid beauty and a close immediacy that recalls sounds of eras past, but with an edge that's all his own. So much to love here: from the Daniel Johnston cover “To Go Home” which thrums along to borderline dischordant piano and Neko Case on BGVs, or the spirited and loose harmonies of “Magic Trick” about a girl whose only skill is the way she disappears (co-written with Jim James from My Morning Jacket) -- the varied tracks all work together in a very compelling way. If you only pick up one new album this year, make it this one.

To Go Home - M. Ward

Thanks for playing along this year, and I'll certainly lay awake tonight rehashing what I may have forgotten on this list, endlessly rearranging the list in my borderline OCD mind. I still have dozens of albums that I haven't had a chance to listen to yet from this year. I am sure that there are favorites I haven't even met yet.

Bring on 2007.



At December 09, 2006 11:22 PM, Anonymous Anonymous said...

Nice list. I'm surprised Till The Sun Turns Black didn't make your top 20. Then again its all opinion and subjective. I like his live versions of every song better than his studio effort but its still a great album.

Love your site. I've found a lot of great artists here. Thank you for that.

At December 09, 2006 11:26 PM, Blogger heather said...

yeah Dave, I thought about that and maybe felt a twinge to put it on, but really, it just totally did not do it for me, especially when compared with the brilliance of his first one. argh.

At December 10, 2006 1:36 AM, Blogger Steve said...

Great list Heather! I especially agree on M.Ward and B. Kweller...

The Pearl Jam is another matter ;)

- Steve

At December 10, 2006 2:07 AM, Anonymous Anonymous said...

Beautiful list, very thoughtful!

At December 10, 2006 6:11 AM, Blogger Don't Need Anything said...

interesting list. no big surprises from you (except maybe feists remix album...). ive been struggling so hard with that johnny cash record. i want to listen to it but everytime i try to do it just hurts so bad. its a really painful listen.

At December 10, 2006 7:20 AM, Blogger FB said...


I've been wandering around my favorite blogs and this is the second in a row that doesn't have a single choice that overlaps my favorite albums list (and also that makes me regret leaving off Josh Ritter, which is a quite lovely record.) But still I see where you're coming from and you've made me want to go and listen again to a bunch of artists. Well done!

At December 10, 2006 8:06 AM, Blogger Eric said...

Excellent list. Nice to know that my top 50 of '06 contains only two that made your top 20. Interesting. I'll certinaly (now) have to give that M Ward album some further listening.

At December 10, 2006 10:15 AM, Anonymous Anonymous said...

I have just about everything under the sun of his and the last listen is the new one. 20 better CDs though,Ugh. :)

How did you like his concert? I was hoping for a follow-up after the show.

At December 10, 2006 12:15 PM, Blogger boyhowdy said...

After a year learning to trust you, I took everything.


My own list is up at http://mediakit.blogspot.com with downloads (and has little duplications), if you or your readers need anything. If tracks die out on Yousendit, just holler, and I'll repost 'em.

(and re: Sun Turns Black -- I agree with your response to Dave.)

At December 10, 2006 12:19 PM, Blogger indie mom said...

Wow...what a great list. I can't believe that I don't have ANY of this on my best-of...

At December 10, 2006 12:21 PM, Blogger boyhowdy said...

Sorry -- that direct link above should read My top ten songs of 2006, which are totally different from Heather's, and which can all be downloaded (or re-uploaded if needed).

At December 10, 2006 5:47 PM, Blogger Dance Hall Hips said...

thanks for the list! I was unaware of both the Pete Yorn AND Josh Rouse EP's. I'm getting those ASAP.

At December 10, 2006 6:06 PM, Anonymous Anonymous said...

No 1 with a bullet as the cheesy DJ's used to say over here.I saw M Ward at the KOKO in Camden Town and thought you and your readers might like this snippet of overheard conversation at the front of the crowd.I was standing next to four eager young girls(by accident rather than design!) who clearly loved the record.As their man came on stage, I heard one say to the other,'Is he short?Oh no he's short!' Which made me laugh and reflect on how little things change over time.
He does 'Magic Trick' as a brilliant closer suggesting his own imminent disappearance to the audience.Top choice,Heather!

At December 10, 2006 7:36 PM, Anonymous Anonymous said...

As could be expected, a fine list . . . and a really good call on Open Season.

At December 10, 2006 9:37 PM, Blogger Lizzy said...

totally agree with Jackie Greene. LOVE him!

At December 11, 2006 7:15 AM, Blogger Paul said...

Hi Heather. Just found your blog via elbo.ws. I was searching for the Johnny Cash song you blogged about here and found this great list of 2006! Good stuff. I'd like to invite you and your readers to check out my podcast - it's called Mass Hysteria It's basically me and my wife chatting about life and playing some good tunes. We played at least 3 of your top 20 this past year. We only podcast about once a month - so it's not too much of a commitment. :-)

At December 11, 2006 11:41 AM, Anonymous Anonymous said...

Great list, Heather. M. Ward and Josh Ritter are definitely my top two this year.

At December 11, 2006 12:15 PM, Anonymous Anonymous said...

Great looking list. I would have loved to see Till the Sun Turns Black and/or 9 on there, but it's okay.

Additionally, I haven't noticed much about The Black Keys on your site, and having just seen them live and still recovering from the sheer 'greatness' of the performance, I am doing my best to tell everyone I know how amazing they are. Their new cd Magic Potion is great, but it's nothing compared to them live.

At December 11, 2006 4:05 PM, Blogger -tom said...

Nice list Heather ! and thanks for making it even harder to make my final choices for best albums of '06. You've definitely got me re-thinking a few.

At December 14, 2006 8:16 PM, Anonymous Anonymous said...

It's a great list, and thanks for all the good work. I actually think that the Sonic Youth record Rather Ripped is the most underrated record of the year. I think it's absolutely fantastic and the best thing I've listened to this year (haven't heard the whole M. Ward one yet).

No offense at all - but I wonder if a hot, up and coming indie band had put out Rather Ripped, it would be in more people's top 5 rather than just the top 20.

At December 18, 2006 9:20 AM, Blogger katielicht said...

hi heather~I found your blog via largeheartedboy. this is a great list! looks like I missed out on a lot of stuff this year that I would love.

At December 08, 2007 8:24 PM, Anonymous Anonymous said...

Hey Heather,
I'm Ivan from Los Angeles and I have no idea how I stumbled upon your blog. I read it whenever I have time and I love your music tips. There are some questionable choices once in a while but hey, who doesn't have questionable choices on their shelves? You introduced me to Josh Rouse, thanks. I wonder if you're still keeping up on here. I will keep reading archives none the less (or does that go all in one word?). Keep on keeping on. I'm not on google but I'm at :


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