Monday Music Roundup
It's Monday, new music for the week.
"Yeah, we happy."
There's been some Tom Waits love goin' around in the blogosphere lately (even Jesus loves him, but I guess Jesus loves everybody), which reminded me of one of my favorite covers ever, a Waits song from Sarah McLachlan's Freedom Sessions. This track was recorded this very late one night/early one morning, after Sarah & her band had been imbibing large quantities of red wine. Not everyone knew the song, so those that did were mouthing chord changes to the others. She sounds better drunk than I do sober. (But oddly enough, not as good as I *think* I sound drunk. Ironic.)
Tiger Man (live)
On their 2003 tour, Eels often opened their show with this Elvis cover, a classic swaggering song of sexual bravado. I can picture Elvis The Pelvis making all the teenage girls scream with this one. With E, not so much, but with his unique sound he can pull it off. Rockin' good fun from the Ancienne Belgique show. Thanks to Giacomo from www.eelsitalia.com!
Hope Sandoval and the Warm Inventions
You may remember Hope Sandoval as the dreamy-velvet voice of Mazzy Star. While Mazzy Star lies dormant, Hope has gone on to release some newer material with her band The Warm Inventions. This track is from her 2002 EP Suzanne. When I listen to this, I picture a voice coming out of a black, black room - like you are sitting somewhere in the dark and suddenly you hear this lolling voice, like a slowly swirling river, out of nowhere. It's just her and a slow bluesy guitar for most of the song. Very evocative.
As Chris puts it, "Way before The Shins were going around changing Natalie Portman's life in overrated movies, they were Flake Music." Matthew posted this track by Flake Music (from their 1997 CD When You Land Here, It's Time To Return) and I have been enjoying its poppy vibe for the last month. Shimmery goodness, as one would expect from they-who-would-become-Shins. And yes, so you're not confused (or, even worse, accuse me of a typo!) the song is in fact also called The Shins. Whoa.
Why Don't You Do It For Me?
Big thumping drums and a retro-rockabilly/blues feel to this group distinguishes the 22-20s from the rest of the next-big-thing bands over in Britain today. The 22-20s took their name from a track by Delta bluesman James, and it's clear from listening to them that these chaps have studied their musical roots. Liam Gallagher (Oasis) has been rumored to have said about music these days, "Everything's sh*t. Except for the 22-20s." So there you have it. That may or may not be an incentive for you, but (Liam or no) this is some good stuff in the Heather Browne book. From their self-titled 2005 debut album.